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Department of Music, Theatre & Dance
Faculty Chamber Music Recital


Marcus Schoon
Yin Zheng
George Stoffan

Performing the Music of Beethoven, Fibich, Poulenc, Saint-Saëns and Glinka

Thursday, October 16, 2008
Varner Recital Hall
Admission is Free!

view poster

The Program

Duet for Clarinet and Bassoon in B-flat Major, WoO 27, No. 3........
   Allegro sostenuto
   Aria con variaziones
Ludwig van Beethoven (1770-1827)
Selanka (Pastorale), Op. 16, for Clarinet and Piano...................... Zdeněk Fibich (1850-1900)
Sonata for Clarinet and Bassoon.................................................
Francis Poulenc (1899-1963)
Romance, Op. 51, for Bassoon and Piano.................................... Camille Saint-Saëns (1835-1921)

Trio Pathétique, in d minor, for Clarinet, Bassoon, and Piano.........
   Allegro moderato
   Scherzo and trio
   Allegro con spirito

Mikhail Glinka (1804-1857)


Articles about the composers:

Ludwig van Beethoven
Kerman, J., et al. Beethoven, Ludwig van. Grove Music Online. Please log out when done!
Capell, R. (1938). Beethoven. Music & Letters 19(4): 375-90.
Weston, P. (1970). Beethoven's clarinettists. The Musical Times 111(1534): 1212-1213.

Zdeněk Fibich
Tyrell, J. and Mabary, J.A. Fibich, Zdeněk. Grove Music Online. Please log out when done!
Abraham, G. (1985). The operas of Zdeněk Fibich. 19th Century Music 9(2): 136-44.
Smaczny, J. (1982-1983). The operas and melodramas of Zdeněk Fibich. Proceedings of the Royal Musical Association 109:119-33.

Francis Poulenc
Chimènes, M. and Nichols, R. Poulenc, Francis. Grove Music Online. Please log out when done!
Rorem, N. (1963). Poulenc: A memoir. Tempo, New Series 64: 28-29.
Anderson, R. (1988). Poulenc. The Musical Times 129(1740): 91.

Camille Saint-Saëns
Ratner, S.T., et al. Saint-Saëns, Camille. Grove Music Online. Please log out when done!
Parker, D.C. (1919). Camille Saint-Saens: A critical estimate. Musical Quarterly 5(4): 561-577.
Fruehwald, S. (1984). Saint-Saens's views on music and musicians. International Review of the Aesthetics and Sociology of Music 15(2): 159-74.

Mikhail Glinka
Campbell, S. Glinka, Mikhail Ivanovich. Grove Music Online. Please log out when done!
Abraham, G.E.H. (1928). Glinka and his achievement. Music & Letters 9(3): 255-64.
Taruskin, R. (1977). Glinka's ambiguous legacy and the birth pangs of Russian opera. 19th Century Music 1(2): 142-62.

*Access to full text resources from off campus is limited to current Oakland students, staff, and faculty.

Created on 10/14/2008 by Shawn Lombardo / Last updated on 2/4/13 by Shawn Lombardo
Oakland University

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